I was lucky to be able to catch Ryley Walker solo on the second date of what he is saying is his last major tour. This sold out performance was at a 350-capacity coffee shop / bar / performance space in Bristol, England with nice acoustics and a delightful sound engineer named Annalisa.
A blog devoted to live recordings of music performed in and around Milwaukee, Wisconsin
Saturday, October 5, 2024
Ryley Walker at Strange Brew in Bristol, England on September 17, 2024
Sunday, July 7, 2024
Ryley Walker at the Empty Bottle in Chicago on March 5, 2022
Ryley Walker is one of our best songwriters and performers in the US at the moment. Aside from the strength of his compositions, he makes an effort to improvise at each show so that each is unique. Add to the mix a rotating selection of all-star jazz musicians from the Chicago scene and it is an irresistible combination.
I feel a strong need to mention Ryley's amazing band for this show -- the always-amazing Bill MacKay on guitar, wonderful bassist Andrew Scott Young, and versatile drummer Quin Kirchner.
Purchase Ryley's latest album here.
Recording details:
2022-03-05
Ryley Walker: guitar, vocals
Bill MacKay: guitar
Andrew Scott Young: bass
Quin Kirchner: drums
Set list:
01 Banter - They Make Sausage Out of Opening Bands (0:56)
02 Striking Down Your Big Premiere (5:09)
03 Banter - Chili’s Was a Dark Zone (0:52)
04 The Halfwit In Me (15:10)
05 Banter - That Last Song Was a Ripoff of Jim O’Rourke (0:31)
06 Axis Bent (4:55)
07 Banter - I Was All Nervous (1:58)
08 Shiva With Dustpan (6:28)
09 Telluride Speed (7:59)
10 Opposite Middle (3:33)
11 Banter - Mom’s in Merch Mode (2:42)
12 The Roundabout (11:54)
Total time = 62:07
Source 1: mono SBD feed (shared with Quin Kirchner via XLR splitter cable)
Source 2: Stereo pair Beyerdynamic MC930 on 10 foot mic stand in NOS configuration, in front of mixing board.
Recorder: Sound Devices MixPre 6 at 24/96
Software: Audacity, Fission, xAct
Saturday, June 8, 2024
Ryley Walker and Bill MacKay at Judson and Moore in Chicago on July 28, 2023
We've covered several Ryley Walker and Bill MacKay shows here on the blog (going back to our first year of existence), so I was super excited to hear the news that they were reuniting for two gigs at the end of last July at Judson and Moore Distillery in Chicago.
Their two duo albums -- SpiderBeetleBee (2017) and Land of Plenty (2015) have become cult LPs because of their intricate interlocking finger style melodies. I told myself that Ryley returning to Chicago to perform again with Bill was heralding the onset of recording sessions for a third record, but it looks like that is still something for an uncertain future.
Judson can be a difficult place to present live music (and record it), given its narrow performance space, high ceiling and hard surfaces everywhere. Fortunately, this concert sounded delightful.
Buy their most recent album here.
Recording information:
RYLEY WALKER and BILL MacKAY
Judson and Moore Distillery
Ryley Walker: guitar
Bill MacKay: guitar
Setlist:
01 Grand Old Trout (9:27)
02 Pretty Weeds Revisited (4:45)
03 It Takes a Quilt -> Dragonfly (10:09)
04 Lonesome Traveler (6:16)
05 Promise Me (3:17)
06 Raga (9:32)
Total Time = 43:26
Source: SBD + Line Audio CM3 in NOS
Recorder: Sound Devices MixPre6ii at 32/96
Software: Audacity + Fission + xAct
Wednesday, May 2, 2018
Ryley Walker and Bill MacKay at the Fine Line Music Cafe, Minneapolis on April 23, 2018
Monday, April 30, 2018
Bill MacKay and Ryley Walker at Acme Records and Music Emporium in Milwaukee on October 20, 2017
This concert was on the same day as the release of their most recent collaboration, SpiderBeetleBee on Drag City Records. Like the LP, this is an instrumental show except for one surprising cover song (I'll let you discover it on your own as you listen).
There has been a lengthy delay between recording the show and posting it, as I attempted to split the tracks and attach names to them. That is a much easier task when there are lyrics. I eventually decided to upload the show as two 40-minute sets. I think most people are going to listen to the concert that way anyway.
Please support these fine artists and decent people by going to their shows, buying multiple copies of their merchandise (your friends need the music), and talking to them like they are real human beings after shows. If they don't mind.


